Organization of Experience: Examining Inaba Minoru’s Budo as a Form of Art

Authors

  • Campbell C. Edinborough University of Hull

DOI:

https://doi.org/10.18002/rama.v6i1.89

Keywords:

Aikido, kumitachi, training, reflective practice, self-transformation, self-actualization

Abstract

This article examines how Japanese budo (martial arts), specifically the approach developed by Inaba Minoru (former headmaster of the Shiseikan Budojo, Tokyo), can be functionally understood as a form of art. Through referring to the aesthetic theories of Dennis Dutton, Ellen Dissanayake, and Joseph Carroll, the article examines budo as a means of organizing experience, recognizable alongside painting, dance, theater, and literature.

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References

Aoyagi, E. (1990). Interview with Minoru Inaba. Aikido Journal, 120. Disponible en http://www.aikidojournal.com/article.php?articleID=107

BBC News. (2006, 15 de agosto). Japan’s controversial shrine. BBC News. Disponible en http://news.bbc.co.uk/1/hi/world/asia-pacific/1330223.stm

Carroll, J. (2006). The human revolution and the adaptive function of literature. Philosophy and Literature 30:1, 33 –49.

Dewey, J. (2009). Art as experience. New York: Perigee Books.

Dissanayake, E. (1988). What is art for? Seattle: University of Washington Press.

Dissanayake, E. (1995). Homo aestheticus. Seattle: University of WashingtonPress.

Dutton, D. (2009). The art instinct. Oxford: Oxford University Press.

Inaba, M. (2006). Researching Japanese budo: Developing fundamentals of mind and body (trad. Robert Cowham, Annika Hansen, Takahiro Yamada, Masatake Sekiya y Diane Zingale). Tokyo: Meiji Jingu Budojo Shiseikan.

Inaba, M. (2008). The tradition of Japan—Budo: Path of spiritual refinement (DVD). Tokyo: Meiji Jingu Budojo Shiseikan.

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Published

2012-07-11

Issue

Vol. 6 No. 1 (2011)

Section

Articles

How to Cite

Organization of Experience: Examining Inaba Minoru’s Budo as a Form of Art. (2012). Revista De Artes Marciales Asiáticas, 6(1), 157-172. https://doi.org/10.18002/rama.v6i1.89

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Copyright (c) 2012 Campbell C. Edinborough

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