“1492年前后的艺术与文化”展览：西班牙视域下的中国明代艺术形象
DOI:
https://doi.org/10.18002/sin.v15i2.7466关键词:
西班牙；展览；中国明代艺术；形象构建摘要
为纪念哥伦布发现美洲新大陆500周年，1992年，塞维利亚世博会举办了名为《关于 1492年艺术与文化》展览，呈现了15世纪全球范围内的艺术作品。本文对该展览的背景、目的、作品数据、展陈主题等多个面向进行分析，结合数据统计和图像分析等方法，探究展览话语所生成的中国明朝艺术形象的缺失。通过对比中国明朝艺术史的相关文献资料与展陈作品可知，该展览所构建的中国艺术形象实际上缺少了采用精细笔法绘制的个别艺术形式，如院体画、民间壁画以及木刻版画等。而这些种类实际上在明朝艺术图景中占据了重要的地位。本研究有助于确立和修正西班牙语境下，该展览所构建的中国明朝艺术身份特点中的缺失与不足。
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2022-12-22 — Updated on 2024-03-06
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How to Cite
Jiayi, L. (2024). “1492年前后的艺术与文化”展览：西班牙视域下的中国明代艺术形象. Sinología hispánica. China Studies Review, 15(2), 145–168. https://doi.org/10.18002/sin.v15i2.7466 (Original work published 2022年12月22日)
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