Los inicios del little theatre movement en Francia

Autor/innen

  • Cristina Navas Romero

DOI:

https://doi.org/10.18002/ehf.v0i31.2867

Schlagworte:

Teatro, Francia, Teatro experimental,

Abstract

A finales del siglo XIX, apareció un movimiento teatral experimental, se originó en los teatros no comerciales y sus miembros eran artistas, mayormente inmigrantes y aficionados, que rechazaban los convencionalismos y los prejuicios teatrales de épocas anteriores

Downloads

Keine Nutzungsdaten vorhanden.

Métricas alternativas

Literaturhinweise

Bentley, E. (1946): The Playwright as Thinker, a Study in Modern Drama, Nueva York: Reynal & Hitchcock.

Brockett, O. G. y Findlay R. R. (1973): Century of Innovation: A History of European and American Theatre and Drama since 1870, Englewood Cliffs, Nueva Jork: Prentice-Hall, Inc.

Cole, T. y Chinoy, H. K. (1963): Directors on Directing: A Sourcebook of the Modern Theatre, Indianapolis: Bobbs-Merrill.

Cheney, S. (1925): The Art Theater: Its Character as Differentiated from the Commercial Theater; Its Ideals and Organization; and a Record of Certain European and American Examples, Nueva York: A. A. Knopf.

Chiari, J. (1958): The Flight from Naturalism, Londres: Camelot Press.

Davis, T. C. (1994): George Bernard Shaw and the Socialist Theatre, Westport (Connecticut): Praeger.

Dickinson, T. H. (1927): An Outline of Contemporary Drama, Boston: Houghton Mifflin.

Drain, R. (1995): Twentieth-Century Theatre, a Sourcebook, Nueva York: Routledge.

Eaton, W. P. Y Dean, A. (1926): Little Theatre Organization and Management, for Community, University and School: Including a History of the Amateur in Drama, Nueva York: Appleton and Company.

Everdell, W. R. (1998): The First Moderns: Profiles in the Origins of Twentieth-Century Thought, Chicago: University of Chicago Press.

Fischer-lichte, E. (2001): History of European Drama and Theatre, London: Routledge.

Frick, J. W. y Vallillo S. M. (1994): Theatrical Directors: A Biographical Directory, Westport, Connecticut: Greenwood Press.

Heller, O. (1912): Henrik Ibsen: Plays and Problems, Boston: Houghton Mifflin Company Publishers.

Isaacs, E. J. R. (1927): Essays on the Arts of the Theatre, Boston: Little, Brown, and Company.

Knapp, B. L. (1988): The Reign of the Theatrical Director: French Theatre, 1887-1924, Nueva York: The Whitston Publishing Company.

Kurtz, M. (1999): Jacques Copeau: Biography of a Theater, Carbondale (Illinois): Southern Illinois University Press.

Lewisohn, L. (1923): Modern Drama, an Essay in Interpretation, Nueva York: BW Heubsch.

Mackay, C. D’Arcy (1917): The Little Theatre in the United State, New York: Henry Holt.

Miller, A. I. (1931): The Independent Theatre in Europe, 1887 to the Present, Nueva York: Ray Long & Richard R. Smith.

Roberts, V. M. (1962): On Stage a History of Theatre, Nueva York: Harper & Row.

Shepherd-Barr, K. (1997): Ibsen and Early Modernist Theatre, Westport (Connecticut): Greenwood Press.

Styan, J. L. (1981): Modern Drama in Theory and Practice: Volume 1, Realism and Naturalism. Cambridge: Cambridge University Press.

Waxman, S. M. (1926): Antoine and the Theatre-Libre. Cambridge (Massachusetts): Harvard University Press.

Veröffentlicht

2009-12-01

Zitationsvorschlag

Navas Romero, C. (2009). Los inicios del little theatre movement en Francia. Estudios Humanísticos. Filología, (31), 335–345. https://doi.org/10.18002/ehf.v0i31.2867

Ausgabe

Rubrik

Notas