Tai-sabaki for the piano, tai-sabaki for the tatami – A tribute to Prof. em. David B. Waterhouse (1936-2017)

Carl De Crée

doi:10.18002/rama.v13i1.5453

Autores/as

Carl De Crée Ghent University http://orcid.org/0000-0002-9274-4319

DOI:

https://doi.org/10.18002/rama.v13i1.5453

Palabras clave:

Antropología cultural, Asia Oriental, etnomusicología, Japón, judo, artes marciales

Agencias Financiadoras:

N/A

Resumen

David B. Waterhouse (1936-2017) fue Profesor emérito, experto en estudios japoneses y un erudito en el ámbito de las humanidades. Educado a nivel de concertista de piano, se graduó en Clásicos Occidentales, Ciencias Morales y Estudios Orientales en la Universidad de Cambridge. Fue allí donde, en su primer año, asistió por primera vez a una demostración de judo en vivo y decidió comenzar su andadura en el judo. Con el tiempo, comenzó a trabajar en la Universidad de Toronto, donde pasaría el resto de su carrera profesional como educador y académico. David supo entender y enseñar el judo tal y como lo entendía su fundador, i.e., como una forma de pedagogía que busca el desarrollo físico e intelectual. En consecuencia, sus clases universitarias de judo en el Departamento de Estudios de Asia Oriental de la Universidad de Toronto atrajeron a una multitud de estudiantes entusiastas. El legado académico del profesor Waterhouse es vasto, mostrando una notable amplitud de temas que estudió, investigó y dominó, pero él estaba particularmente orgulloso de su obra maestra, i.e., un catálogo de xilografías del artista japonés Suzuki Harunobu, publicado en dos volúmenes en 2013. El manuscrito de su libro sobre la historia cultural y técnica del judo, desafortunadamente, permanece inacabado debido a su prematura muerte.

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Biografía del autor/a

Carl De Crée, Ghent University

Senior Research Professor of Exercise Science & Sports Medicine + Senior Scholar of Chinese/Japanese Studies

Citas

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Consulate-General of Japan in Toronto. (2017). University of Toronto Professor Emeritus David Waterhouse Conferred Order of the Rising Sun. 01 July 2017. [retrieved July 4th, 2017]. Retrieved from: http://www.toronto.ca.emb-japan.go.jp/itpr_ja/b_000068.html

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Waterhouse, D. (2003a). Bugaku no byōsha ‘shinzeikogakuzu’ o megutte [Portrayals of Japanese court dance: the shinzei kogaku zu]. In Nihon no gakki —Atarashī gakki-gaku e mukete— [Japanese musical instruments: toward a new organology]. Dai Nijūgo-ka Kokusai Kenkyū Shūkai Hōkokusho [Proceedings of the 25th International Research Committee]. Tōkyō: National Research Institute for Cultural Properties; p.123-131. [in Japanese]

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Waterhouse, D. (1994b). John Wilson and the Highland bagpipe in Ontario. In R. Witmer (Ed.), Ethnomusicology in Canada. CanMus Documents, 5. Proceedings of the First Conference on Ethnomusicology in Canada, Toronto, 13-15 May, 1988. Toronto: Institute for Canadian Music; 1990, p.307-314.

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Waterhouse, D. (1982a). Kanō Jigorō and the beginnings of the jūdō movement. Toronto Symposium; pp. 169-178.

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Waterhouse, D. (2002b). Kodokan emblem revisited. Kano Society The Bulletin, 3(5), 1 & 4. [retrieved December 16th, 2006]. Retrieved from: http://www.kanosociety.org/Bulletins/pdf%20bulletins/bulletin5.pdf

Waterhouse, D. (1988a). Korean music, trick horsemanship and elephants in Tokugawa Japan. In Y. Tokumaru, O. Yamaguchi (Eds.), The Oral and the Literate in Music (pp. 353-370). Tōkyō: Academia Music Ltd.

Waterhouse, D. (1996). Notes on the kuji. In P.F. Kornicki, I.J. McMullen (Eds.), Religion in Japan. Arrows to heaven and earth (pp. 1-38). Cambridge, UK: Cambridge University Press.

Waterhouse, D. (2015a). Oriental antiquities at the British Museum: some reminiscences of a former assistant-keeper. Gardiner Signature Lecture Series 2015. Gardiner Museum, Toronto, Ontario, Canada; 07 October 2015.

Waterhouse D. (2013b). The Harunobu Decade. A Catalogue of Woodcuts by Suzuki Harunobu and his followers in the Museum of Fine Arts, Boston. Amsterdam, the Netherlands: Brill.

Waterhouse, D. (2015b). The Historical Context of Zen and the Tea Ceremony – Part 1. Lecture. Asian Heritage Month Education Roundtable 2015: The heart of Asia, right here, right now. A celebration of Asian wisdom traditions. 30 Jul 2015. [Video clip] [retrieved July 30th, 2015]. Retrieved from: http://www.youtube.com/watch?v=pDuzKv6j1cc

Waterhouse, D. (2015c). The Historical Context of Zen and the Tea Ceremony – Part 2. Lecture. Asian Heritage Month Education Roundtable 2015: The heart of Asia, right here, right now. A celebration of Asian wisdom traditions. 30 Jul 2015. [Video clip] [retrieved July 30th, 2015]. Available from: http://www.youtube.com/watch?v=c_F02CErDOE

Waterhouse, D. (1988b). The logical priority of performance for the analysis of music. In Y. Tokumaru, O. Yamaguchi (Eds.), The Oral and the Literate in Music (pp. 371-379). Tōkyō: Academia Music Ltd.

Waterhouse, D. (1982b). Towards a new analysis of rhythm in music. In R. Falck, T. Rice (Eds.), Cross-cultural perspectives in music (pp. 29-37). Toronto: University of Toronto Press.

Waterhouse, D. (2014c). TP Leggett's Address to the BJA AGM in 1984. E-Judo. Judo network and forum: Documentary and History. 21 September 2014. [retrieved December 8th, 2017]. Retrieved from: http://judo.forumsmotion.com/t2177-tp-leggett-s-address-to-the-bja-agm-in-1984

Waterhouse, D. (1987). Value judgments in the study of Buddhist art. In N.H. Samtani (ed.), Śramana Vidyā – Studies in Buddhism. Prof. Jagannath Upadhyaya commemoration volume I (pp. 233-269). Sarnath, Varanasi, India: Central Institute of Higher Tibetan Studies.

Waterhouse, D. (2008b). Where did Toragaku come from? In A. Marett (ed.), Musica Asiatica – Vol. 6 (pp. 71-94). Cambridge, UK: Cambridge University Press.