No. 16 (2017)

View No. 16 (2017)

DOI: https://doi.org/10.18002/da.v0i16

Published: 2017-11-20

Artículos

A sculptor for a cardinal. Lorenzo Mercadante de Bretaña’s sepulcre for Juan de Cervantes: new approaches to documentary evidence

Teresa Laguna Paúl

7-30
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The late-Gothic work of la Cartuja de la Defensión in Jerez de la Frontera. Reflections on the contribution of Diego de Riaño

Raúl Romero Medina, Manuel Romero Bejarano

31-48
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The palace of the Páez de Castillejo. The social climbing of a lineage

María Ángeles Jordano Barbudo

49-68
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The parish baptisteries in Jerez de la Frontera in the Modern Age. A methodological proposal for studies of liturgy and architecture.

Pablo Pomar Rodil

69-89
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ARTISTIC TRAFFIC AT THE SPANISH COURT. THE FREE PASSAGE OF WORKS OF ART THROUGH THE KINGDOM OF ARAGÓN IN THE SEVENTEENTH CENTURY.

Rubén López Conde

91-111
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An unprecedented painting of Saint Michael the Archangel, by Giacomo Farelli, in Alcalá de Henares

Josue Llull Peñalba

113-129
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The sepulchre of Jean Bonaventure Thiéry du Mont, Count of Gages, work of the academic sculptor Roberto Michel, through the eyes of scholars and travelers

María Josefa Tarifa Castilla

131-149
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Romanticism and Romanticisms in the Engravings of the Artistic Magazine No Me Olvides (1837-1838)

María Victoria Álvarez Rodríguez

151-165
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An “Extremaduran Toledo”. The contribution of the Historical Towns Planning Service to the monumentalization of Trujillo (Cáceres) at the time of Franco’s developmental policies.

María Antonia Pardo Fernández

167-187
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The recovery of the heritage and the development of tourism during the Francoism. The interventions of the General Direction of Architecture in Úbeda (Jaén)

José Manuel Almansa Moreno

189-209
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The removal of the choir of Saint Julian and Saint Basilisa Church at Samos

Estefanía López Salas

211-226
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Inmaterialities. Problems of conservation of new media art

Luis David Rivero Moreno

227-238
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Recensiones

Recensiones

Mariano Casas Hernández

239-256
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