Cheng Dieyi in Farewell My Concubine, A drag or an act? A queer or an actor?

Autores/as

DOI:

https://doi.org/10.18002/sin.v13i2.7232

Palabras clave:

Gender, Performativity, Performance, Queer, Subject.

Resumen

This article reflects on the character Cheng Dieyi, highlighting the gender trouble that emerges through the corporality. From Judith Butler’s theory of gender performativity, the article attempts to propose the possible connection between the drastic shift in Dieyi’s gender identity and the repetitive and performative practices of female impersonation throughout his professional learning to be a male Dan* actor of the Beijing Opera (Jingju). Beyond a usual reading which attributes Dieyi’s suicide to psychological disorders that confuse life and performance, my hypothesis is that his gender
trouble should be understood as queerness in affective and intimate terms; thus, exposes the dynamic
relation between performance and performativity and invites reflections and criticisms about such
dynamics in Butlerian performativity.

Descargas

Los datos de descargas todavía no están disponibles.

Métricas alternativas

Biografía del autor/a

Xing Hongru, Facultad de Estudios Extranjeros Universidad Normal de Hunan Changsha, Hunan, China 410012

Facultad de Estudios Extranjeros
Universidad Normal de Hunan
Changsha, Hunan, China 410012

Descargas

Publicado

2022-02-25

Cómo citar

Hongru, X. (2022). Cheng Dieyi in Farewell My Concubine, A drag or an act? A queer or an actor?. Sinología hispánica. China Studies Review, 13(2), 127–144. https://doi.org/10.18002/sin.v13i2.7232

Número

Vol. 13 Núm. 2 (2021)

Sección

Artículos

Licencia

Derechos de autor 2022 Xing Hongru

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0.

Sinologia Hispanica. China Studies Review considers all manuscripts on the strict condition that

 

  • The authors grant on a nonexclusive basis the exploitation rights (reproduction, distribution, public communication and transformation) of the work accepted for publication to the University of León. The authors can establish, on their own, additional agreements for the non-exclusive distribution of the version of the work published in the journal (for example, placing it in an institutional repository or publishing it in a book), always acknowledging the initial publication in this journal.

  • The manuscript is your own original work, and does not duplicate any other previously published work, including your own previously published work.

  • The manuscript is not currently under consideration or peer review or accepted for publication or in press or published elsewhere.

  • The manuscript contains nothing that is abusive, defamatory, libellous, obscene, fraudulent, or illegal.

  • Please note that Sinologia Hispanica uses Turnitin software to screen manuscripts for unoriginal material. By submitting your manuscript to Sinologia Hispanica you are agreeing to any necessary originality checks your manuscript may have to undergo during the peer-review and production processes. Any author who fails to adhere to the above conditions will be rejected.

  • Authors are allowed and encouraged to electronically disseminate the pre-print versions (version before being evaluated) and / or post-print (version evaluated and accepted for publication) of their works before publication, since it favors their circulation and earlier dissemination and with it a possible increase in its citation and scope among the academic community.

 

Sinologia Hispanica is under Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You can read more about this license in versión informativa and texto legal.